Completed Animatic

I have now completed my animatic. It has been a very time consuming process over the course of the semester to get my animatic completed which was further compounded by my lack of previous animating experience. That said however I have learnt an incredible amount of skills over the course of the semester which has made it rewarding and worthwhile including:

• Character Modelling
• UV Mapping
• Texturing
• Rigging
• Painting Weights
• Keyframe animation
• Importing animations into Unity
• Unity Scripting

Overall although the visual quality of my animatic is not very good and there are some obvious rough spots I'm quite happy with it.

I think it is successful in telling the story of the dodo in a light hearted manner as I set out to. I believe the final scene also leaves viewers with a meaningful message regarding the role humans have played in the extinction of species throughout the course of history. A message which is especially important in this the international year of Biodiversity.

Technical

From a technical perspective I am really happy with how well I have managed to set the scenes of the animatic up in Unity. The animatic video was captured all in one take with no post editing. All sounds, subtitles etc. have been scripted in Unity. Also with the exception of scene three all scenes are scripted so that they play out without any user interaction. I found over the semester that it is very easy to setup a character and add a player character controller but it was time consuming to have to control the character while capturing video, as this would result in having to take multiple captures to get the characters movements just right. As the entire animatic is scripted to play out from start to finish I have also attached a web player version of the animatic which can be watched.

By setting up the animatic in Unity this way I believe next semester it will be much easier for me to make changes to assets to make them more visually appealing before just importing these assets into Unity to replace the old and then recapture the entire animatic again with just one take. I found by taking this approach I have also learnt a great deal about Unity and how to use it. I have created a number of scripts myself which control particular scenes which was very time consuming to work out but, a very good learning experiences once I overcame whatever difficulties I had encountered.

To see how each scene has been setup in Unity see these previous posts:

• Scene 1
• Scene 2
• Scene 3
• Scene 4
• Scene 5
• Scene 6
• Subtitles and Sound

Visuals

The visual quality of the animatic is not as high as I would have liked it to been. This has been primarily due to the steep learning curve which has meant I haven't spent much time concentrating on getting aesthetics as good as I would like to have.

That said I am quite confident that I have now learnt all the skills required to complete my animation to a high visual quality, it's just of matter of putting the time in next semester to get my model, animations, and textures perfect.

As you can see from looking at the island which is textured in two different styles I have been experimenting with different texture styles to work out the over look and feel I wish to achieve. I also experimented with the Unity Toon shader but wasn't completely satisfied with the result so I will be relying on my own textures to produce a cartoon appearance. I will also need to build a few more toon styled assets such as palms trees to populate the island with.

Sound

Once aspect of the animatic that is missing is sound. I am happy with the music I have chosen but, plan to add sound effects to the final animatic. A list of intend sound effects for my final animation next semester are as follows:

• Catapult firing sound.
• General island ambient sounds.
• Dodo 'squawking' sounds.
• Crash sounds for when the dodo crash lands.
• Tall ship ambient sound effects.

Viewing the Animatic

Download/watch my animatic video here:

http://chrisgordon.com.au/dodo/Animatic_LowQuality.avi

And watch in the Unity Web player here (in scene three you need to walk to the dodo to the top of the hill and then down the slope to trigger scene change):

http://chrisgordon.com.au/dodo/animatic.html

Scene Five Completed

I have now finished scene five of my animatic. After all the experienced gained setting up my previous scenes this scene was relatively straight forward to setup.

The one problem I encountered is that when importing my ship's model into into the planes which I had used to create the sail had disappeared. I attempted to fix this by tweaking my FBX's exporting options in Maya before decided to script the planes and instead use a cube to create the sails. Once I did this the FBX exported first time.

In unity the ship is set up to follow waypoints and again I have used trigger to crossfade between camera's and signal the next level to load.

Next semester I hope to add more detail to my ship and give it a wake as is moves through the water.

Scene Six Complete

For scene six I have made a bit of a change to my original story board. Instead of showing a grave stone for the dodo I have chosen to show the dodo as a museum exhibit, as this is all we have left of this creature today.

I modeled a rough museum set in Maya for me to build upon next semester, imported it into Unity and setup a camera moving along waypoints to give the effect of zooming out. As background music in this scene I'm using Louis Armstrongs 'Wonderful World' with subtitles explaining that 75 years after the discovery of the dodo humans had completely wiped out this incredible species. Once the camera is fully zoomed out I intend to roll a credits overlay in the completed animation next semester.

I'm quite happy with the over all effect this scene has, hopefully it leaves viewers thinking about biodiversity and how humans have repeatedly made the same mistakes throughout history causing the extinction of hundreds of species which played a part it the ecosystems of earth.

Subtitles and Sound

As part of my goal of completing my animatic without using any post editing I have managed to put together a script for subtitle text and to play my chosen background music.

The script for subtitles uses a GUI Text object and changes the text at required times. Behind the text I have created a GUI Texture which provides a black background to the white text. When hiding and showing the subtitles I have used the iTween script available here: http://itween.pixelplacement.com/ to faded the GUI Text and GUI Texture out with this line:

iTween.fadeTo(subtitleholder,{"alpha":0, "onComplete":"destroy"});

This solution works well and I have applied it to multiple scenes in my animatic.

The second new script I have put in place controls the animatics background music. I thought adding music would be quite simple until I realised that when moving between scenes all audio sources would be removed and all sounds from the previous scene would stop which is not ideal for background music.

To correct this I managed to work out the following script which goes in the first scene. It sets up a singleton which is accessible through all scenes, and prevents my audio source from being removed between scenes loads.

//Create instance of class.

private static var instance:GameMusic;

//Create singleton instance.

public static function GetInstance() : GameMusic {

return instance;

}

function Awake() {

if (instance != null && instance != this) {

Destroy(this.gameObject);

return;

} else {

instance = this;

}

//prevent audio source from being removed between scene loads.

DontDestroyOnLoad(this.gameObject);

}

In subsequent scenes I then load new background music by removing the object the above script is attached to and add it again with a different audio source.

Being able to do subtitles and sound within Unity should make it possible for me to capture the entire scene in real-time with not post editing.

Scene Five Progress

Scene five shows the arrival of humans on the island of Mauritius. To do this I am showing a tall ship arriving at the island. I spent tonight modelling and texturing the ship.

Modelling and especially UV mapping the ship were much easier now that I have had much more experience with these process's.

The screen capture below shows the ships in it's completed state for the animatic.

Scene Four Complete

I have now finished scene four. This is a skit of a dodo trying to fly by launching itself in a catapult. It fly's over a group of other dodo's lying in deck chairs on the beach.

To complete this scene I modeled and animated a catapult and then wrote a quick script which waits 5 seconds from when the scene loads to fire the catapult and propel the dodo along a line of waypoints. There is also a trigger which the dodo passes through which switches camera.

Next semester I hope to add some splash effects for when the dodo lands in the water. Also I hope to add greater details to the dodo's lazy on the beach to show them with cocktails, beach umbrellas, and towels etc.

Scene Three Progress

Scene three is progressing to well as I have run into a problem. As part of achieving my goal of having the entire animatic play out in unit with no post editing I have been using a waypoint script to control character movement.

This worked well for scene one and two but, in scene three I require my fat dodo to walk up a hill to attempt to fly by jumping off a cliff. The waypoint script is not appropriate for this as it only allows the character to go in straight paths from waypoint to waypoint. On uneven terrain the characters catches on dips and bumps and then starts bouncing around as its collider and rigid body hit the terrains collider.

If I remove the terrains collider then my character simply passes right through the bumps and dips in terrain.

I'm going to leave this scene for now while I think of a solution.

Update 30/05/2010

As I am beginning to run out of time to complete the animatic I have decided to just add a character controller to the dodo and have the user manually control it's movement. For the rest of the scene setup there are two triggers. The first of which switches the camera when the dodo gets to the top of the hill. The second loads the next scene.

The animation for the dodo trying to flying and roll down the hill is obvious quite rough. It will take a considerable amount of time next semester to get this just right.

Scene Two Complete

I have finished a very straight rough version of scene two which is a skit of a fat dodo trying to flying. I have just quick and roughly done the animation sequences in Maya and imported into Unity.

The sequences for in the Maya file for my fat dodo are:
Frames 1 - 50 - Lying on Ground/Idle
51 - 200 - Trying to Stand Up
201 - 260 run cycle
260 - 340 jumps into air and then crashes.

At this stages the animations are very rough. It will take quite a lot of time next semester to sit down and get these animations 100% perfect.

In putting together my second scene I also put together a script that fades out scene one and loads scene two. Fortunately this was much easier that I had thought. The code used to do this is:

LevelLoadFade.FadeAndLoadLevel("Scene2", Color.black, 3);

It turns out fading between cameras is more difficult than fading between levels!

This weekend I hope to get scene three and four completed.

Scene One: How it all works & changes.

Just thought I'd put a quick post in on how scene one is setup in Unity and discuss the scripts I have used.

Below is an image of the scenes setup:


The four big rectangles are my four triggers, and the red line shows the waypoints the dodo follows. There is also three cameras, camera one is a third person camera targeting the dodo, camera two has a script attached which caused it to look at the dodo as it flies, and finally a fixed camera which shows the dodo crashing.

My first trigger switches the view from camera one to camera two. The script it uses to do this is the cross-fade script mentioned in my last post which I have modified to work when OnTriggerEnter is fired as below.

var camera1 : Camera;
var camera2 : Camera;
var fadeTime = 2.0;
private var inProgress = false;
private var swap = false;
function OnTriggerEnter (collision : Collider)
{
DoFade();
}

function DoFade () {
if (inProgress) return;
inProgress = true;

swap = !swap;
yield ScreenWipe.use.CrossFade (swap? camera1 : camera2, swap? camera2 : camera1, fadeTime);

inProgress = false;
}

The second trigger switches the view from camera two back to camera one with the same script as above.

The third trigger switches the camera from camera one to camera three and changes the dodo's animation to the crash animation. This is done by modifying my crossfade camera's trigger script as above to have an extra variable which is a gameobject.

var animateobject: GameObject;

Once I attach this script to the trigger I can then set animateobject to the instance of my dodo. I can then use the following line to switch the animation my dodo is playing with this line in OnTriggerEnter:

animateobject.animation.CrossFade("crash");

My final trigger took me a considerable amount of time to figure out. Unfortunately once I attached a rigid body to my dodo so it would cause a trigger event when passing through triggers it would no longer stop when it ran out of waypoints. As a result my dodo would keep going beyond the last waypoint until it hit the volcano and then it would bounce all over the place. After alot of googling and trial and error I came up with the solution of removing the rigid body once my dodo hit the final trigger with the following very simple line:

Destroy (other.rigidbody);

This stops my dodo moving but plays out the last of the crash animation. This trigger also cause's a cube to fall out of a tree. This cube represents a fruit which I will model down the track which will fall on the dodo when it crashes in the tree. To trigger the fruit to fall the cube has a rigidbody attached with gravity turned off. My final triggers script has the variable:

var fruit: GameObject;

When the trigger even is fired I simple enable gravity on this rigid body which causes it to fall with this line:

fruit.rigidbody.useGravity = true;

Overall I'm happy with how the scene is setup although it is obviously rough. The only changes I am going to make are to tweak the camera angles and to remove the 3rd person camera and replace it with scripted camera's which move as desired around the dodo so I don't need to manually move the camera's when recording the scene. My ultimate goal is to have the scene scripted to play from start to finish without my input. This will make it nice and easy next semester for me to update models an recapture the entire movie.

Scene Two Progress

I have made a good start on scene two of my animatic. I have boxed out all the animations required in my fat dodo's maya file and imported it as an FBX into Unity. I have learnt from my previous mistakes and getting much more used to the process of successfully getting models and animations successfully imported into Unity the first time everytime which is beginning to save me a lot of time.

So far in scene two I have three fat dodo's carrying out various animation sequences at the same time in this scene. All of these dodo's are instances of the same model, this will make it nice and easy for me to make changes to these models next semester without having to change multiple files. To make these dodo's more individualized next semester I will assign each one an individual texture.

I think in the scene two is the most difficult of the five scenes of my animation. Hopefully I will have it completed by next weekend which will leave me with a week and a half to complete my remaining three scenes. At the moment I'm very busy with other subjects so it's touch and go but, now I have learnt all the skills required to complete my animatic I'm confident I can get it completed in time.

Scene One Complete

I have now finished boxing out the first scene of my animatic in Unity. I'll add a video of it in action when I get home tonight.

I have found creating this scene a great confidence booster as I have been quite intimidated by this subject throughout the semester but, in completing this scene I think I have learnt all the skills required for me to completely box out my animatic for me to build on next semester.

To get this scene to work I have used quite a lot of scripting to get my character to move through the scene, and control camera's. I have done this so that the scene plays itself out without me having to control the character while capturing the scene. This means everything I record the scene everything will be exactly the same which hopefully means I'll be able to do everything in one take.

The first script I used is a third person camera controller I scripted for the first tutorial of semester. I slightly adjusted it though so that the camera is controlled by the mouse instead of keys as in the tutorial I submitted. This allows me to control the camera around my character as it flys around the island and zoom in and out.

The second script I have used is a slightly modified waypoint script from:
http://www.unifycommunity.com/wiki/index.php?title=SeekSteer

I had to modify this script to turn my character more realistically. When implementing the waypoint script as is I found that my characters would do a complete 360 everytime it hit a waypoint. I still would like to modify it further to make my flying dodo bank left and right when turning as at the moment he stays completely level. I will come back to this next semester after the animatic is complete.

The third a final script I have used is a camera switcher which cross fades between the two camera. I used this to switch between camera's as this will again allow me to capture the animatic all in one take and eliminate the amount of work I will need to do to put multiple captured videos together. It also means that when I make changes to the animatic I can view it from start to finish including camera fades etc without having to open a video editor and stitch different captures together and add fades etc manually. The camera in my first scene fades to a second camera when the character passes through a box collider which is placed at a particular waypoint.

The crossfade script can be found here:
http://www.unifycommunity.com/wiki/index.php?title=CrossFade

Now I have completed this scene I am confident that I have now developed all the skills required to complete my animatic and now its just a matter of putting in the hours to get through all five of my planned scenes. At this stage I have stopped modeling and texturing and am focusing purely on boxing out my scenes in Unity.


Download here (better quality):
http://chrisgordon.com.au/dodo/scene1.avi

Walking and Jumping Dodo

This week I animated a walk cycle and jump animation for my fat dodo and imported it into Unity. Importing the new animation cycles was completely straightforward. To start with every time I imported my Dodo as an FBX file unity would only import the Dodo's eyes, the bodies geometry was nowhere to be seen. I then tried importing the geometry as a Maya file directly which also had the same result.

After some messing around in Maya, and some heavy Googling I deleted all Maya history and re-imported my model into Unity successfully.

I have setup the animation sequences in Unity and attached a character controller to the model with a script to control the Dodo's movement and allow it to jump. This was incredibly easy to do which I found quite surprising. To learn how to do this I used Unity's documentation and a visit or two to the forums. I found Unity's documentation extremely detailed but, hard to find answers to specific questions as most documentation takes the form of complete tutorials.

You can walk around my Island set with my fat Dodo here, standard FPS controls apply (space to jump):

http://chrisgordon.com.au/dodo/walkingdodo.html

Normal Maps Part 2 and Creating Realistic Feathers

After speaking to Paul in the tutorial he suggested using Blender's normal mapping tools, or Crazy Bump as they are much better than Maya's. I will give Blender ago later in the week.

Over the last few days while attempting to normal map my models I have also been considering other way's to give my characters the appearance of feathers/fluff. After some research I found this video which shows the results of using the MZFeather plugin which looks perfect for the overall effect I would like to acheive:

I was unable to locate the actual plugins itself though after some pretty heavy googling. Fortunately Paul managed to find it at:

http://malcolmz.multiply.com/journal

Unfortunately the author of this plugin is selling it for 160 Euros which is to expensive for my budget/if could afford it is a little steep for what it is. I have emailed the author to ask whether I can use this plugin for a lesser price as a one off for this assignment.

Normal Mapping Difficulties

Although I have tried following the transfer maps tutorial mentioned in the previous post I have been unable to have much success.

As a test I simply extruded a couple of polygons on my fat dodo's chest so the create smooth bumps on his chest. As per the tutorial I duplicated my geometry, made my changes to the high quality mesh and then used transfer maps to create a normal map of the high quality mesh and apply it to the low quality mesh. This did work and a normal map has been created but as you can see in the images below the results are not desirable.

It looks like Maya has triangulated the high quality mesh and then created the normal map to apply to the low poly model which has result in lots of triangular impression on the model. Aside from the this the bumps I created as a test haven't appear properly either. I will talk to Paul about this in the tutorial tomorrow and see if he can point me in the right direction.

Animated Rigged Dodo's Everywhere

This weekend I finally got around to rigging my winged Dodo. This took quite alot more time than I was anticipating as it wouldn't import into Unity properly. After alot of fiddling about googling, and frustration I found a forum post that recommended clearing out Maya's history before importing anything into unity. Turns out that worked a treat. Follow link below to see a quick flight animation I put together.

http://www.chrisgordon.com.au/dodo/DodoRigTutorial/dodoriganimated.html


There's also another rigged and animated fat flightless dodo in the scene (look up) which I put together this week.

I'm going to now have a go at create a normal map for my fat dodo which I have been putting off because I don't really know where to begin. Fortunately I have found the following tutorial which I will have go at following:

http://www.tutorialized.com/tutorial/Use-Maya-Transfer-Maps-Tools-to-Create-Normal-Maps/25213

Rigged Fat Dodo

I have now UV mapped, rigged, and painted the weights on my fat dodo. To be honest I've found it hard to believe how smoothly modelling and rigging my second character have gone after experiencing all the difficulties with UV mapping and importing it into Unity. I guess I learnt alot of things such as the evils of 5 sided polygons the hard way with my first ever character and that experience is paying off now.

Over the next couple of days I'm going to put some keyframe animations together for my characters and import them into Unity.

Modelling a Fat Dodo

Now that I have finished modelling and rigging my flying dodo I have begun modelling my fat-flghtless dodo. Progress so far has been smooth, I have been taking particular care not to create any 5 sided polygons so as to avoid the trouble I had with my flying dodo!

Completed Modelled and Textured Dodo

After all the difficulty of the last two weeks trying to texture my flying Dodo he is finally working properly. Model and texture can be viewed in Unity here (use standard fps controls to walk/ around):
http://chrisgordon.com.au/dodo/ModelledTexturedDodo.html

I'm very happy with the result especially considering this is my first ever animated character.

I've have endeavored to keep the model as low-poly as possible as I plan to add more detailed body feathers next semester which will required more polygons and more detailed normal mapping. The current model has 3382 faces, 3453 vertices, and edges 6735.

After removing all the nGons as discussed in the previous post and repainting all the skin weights the model is now correctly textured and imports into Unity perfectly.

Screen Captures of Textured Model:

Source of UV Mapping Problem

After speaking to my tutor Paul yesterday we were still unsure what was causing the problem with the UV map and texture in Maya but, had found that in blender the UV map worked perfectly. After some discussion we decided it would be better just to import the dodo into Unity and assign the texture there or use a different modelling program to redo the UV map and setup textures.

Fortunately this decision lead to my discovery of what the problem was. Last night after uni I decided to import the Dodo model into Unity and see how it looked and assign the texture that way as discussed in the tutorial. Upon importing the model into Unity I found there were several holes in the model, as can been seen in the screen capture below:

On further investigation in Maya I found I had several 5 sided polygons as you can see in the image below. I vaguely remember someone telling me 5 sided polygons are bad but, not why.

I fixed these two 5 sided polygons by remove the polygon altogether and recreating them as one four sided and one 3 sided polygon which, although not the neatest solution does solve the problem. The end result is as follows:

This still didn't fix the UV texturing problem but I decided to see if there was a way I could find other 5 sided polygons quickly. Thats when I found this great forum post which explains bad geometry, how to find it and how to fix it:

http://www.3dbuzz.com/vbforum/showthread.php?157746-Tutorial-Bad-Geometry-–-How-to-find-and-fix-it

After running a mesh cleanup to select 5 sided polygons as suggested in the forum post I found two more 5 side polygons (or nGons as I now know they are called) on the the legs of my Dodo. Now I have corrected all these nGons my the UV map now works but, I have to repaint all my skin weights again as I had to unbind the geometry to fix the nGons.

I'm glad I have finally fixed the UV mapping problem as this has been frustrating me for the best part of two weeks! The lesson learned here is that although other 3D programs don't seem to mind then 5 sided polygons are very bad, especial when importing the model into a game engine as these typically triangulate all models! Now I look back this reinforces my opinion that in future I should model the head in the same Maya file as the body as one piece instead of creating it as two pieces and joining. This would have avoided the miss matched number of vertices on the body and the head when I was joining the two which ultimately ended up in me unwittingly created two 5 sided polygons.

In the future I definitely be much more careful to avoid creating 5 sided polygons!

This Week Rigging and Island Creation

Over the last week I have focused on rigging, and texturing my flying Dodo. I have completed the rig and am quite happy with the amount articulation it provides for animating the Dodo. The only two things I have left that I would like to rig are the dodo's eyelids and nostrils. Unfortunately I'm not quite sure how to approach this so am going to do some research and come back to this later.

Overall I'm quite happy with how the rigging process wen't considering I have never rigged and animated anything before. At first I laid out the bones of the character and then smooth bound them to the geometry. I didn't realise though that I then had to 'paint weights' for each bone to dictate which areas of the geometry a bone would effect. Fortunately after a bit of googling I found the following tutorial which was very helpful in guiding me through this process:

http://www.youtube.com/watch?v=xMuo8SsIaQA&feature=channel

Once this tutorial had got me started I found the rigging process to be quite straight forward.

As you can see from the pictures below he still hasn't been textured quite yet. I've hit a brick wall on this one and I'm still not sure why I can't UV map the model correctly.

Rigged Dodo:

The Island

This week I also began work on the an island in Unity which will be the set of my entire animatic. This was quite straight forward using Unity's terrain building tools. I also added a volcano for extra effects and to give me a change to play with particle effects in Unity. Setting up this simple volcano particle effect was much easier than I had anticipated.

Maya/Mac Troubles

This week I have been having quite a lot of trouble progressing with my animatic as Maya is running particularly slowly on my MacBook Pro. I have tried reinstalling Maya, deleting all the preference files and numerous other suggestions in from internet forums to no avail. Even creating a simple cube and trying to move it around results in the beach-ball-of-death for 5-10second each time I move it a little way. Weirdly all other programs on my Mac are functioning just fine.

At this stage I have given up using Maya on my Mac and am now using my PC which is working smoothly.

I have also had several attempts at UV mapping texturing my Dodo by using automatic mapping and them exporting snapshot to a PSD for me to texture and them apply as a material to the Dodo.

All of these steps go okay, UV map is created, snapshot looks okay, and material is assigned but, no matter what I do the texture doesn't appear on the model in high quality render, viewport... anywhere.

A screen shot showing the UV map applied texture and the viewport can be seen below. As you can see the texture and a UV map line up correctly in the UV texture editor but, in the viewport with textures visible the texture does not line up at all. I have spent several frustrating nights on this now. Unfortunate as it's the mid semester break I can't ask the teach staff advice until next Friday. As I have wasted so much time trying to work this out already I will have to move onto other tasks in the meantime.

To prove to myself I wasn't crazy I also modelled a box quickly and applied a UV map and texture in the same way within the same Maya file. As you can see below this worked perfectly which has frustrated me more.

Flying Dodo Progress

Over the last week I have continued to focus on modelling my primary character. The dodo I have modelled includes wings as the opening scenes will show the dodo before it discovered the island of mauritius. To make my final dodo I will be reusing this dodo scaling it and modifying it into the plump flightless dodo we know today.

Overall I am quite happy with the flying dodo so far although I did experience a fair amount of difficulty import the dodo's head into the same Maya file as the body and attaching it to the body. The first few times I imported the head Maya file all that got imported was a messy pile of polygons that in no way represented the head. Eventually I exported the head as an FBX file and imported it which worked well.

I then had some difficulty attaching the head to the body as I hadn't correctly matched the number of vertex on the body's neck with the base of the head so I have two extra vertexes on the bodies side. In the end I think it would have been easier to just model the head as part of modelling the body rather than creating it in a completely separate Maya file.

Next I am going to UV map and texture the flying Dodo. As I have had no experience UV mapping or texturing before I am slightly worried about this step.

Low-Poly:

High-Poly:

First Time Maya User

I have not previously had much modelling experience as I have not done the perquisite subject Introduction to 3D due to various changes in the structure of my course over the last year or so. That said I have used 3DS Max previously to make a few models of world war two planes when I was in year twelve just for a bit of fun and self learning.

This experience with 3DS Max has left me with some preconceptions about how things in a 3D modelling program should work... All of which do not seem to apply to Maya. I have chosen to use Maya anyway this semester so I can utilise the experience of teaching staff. Although at first I found navigating Maya viewports and various modelling tools awkward when compared to Max I'm not getting used to how it all works, although I'm still struggling to understand the way Maya's node history works.

This week I have begun modelling the first character for my animation which is also incidentally my first character ever. So far the modelling process hasn't been to difficult. I have just been modelling to the picture in my head for the flying dodo and using the various sketches of dodo's I have found as a reference for the dodos head. At this stage I have modelled the Dodo's head, and body in two separate Maya files which I will join later in the week.

I am pretty happy with how it's going although I am not happy with the wing feathers and will have to investigate a better way to add feathers to the wings. Screenshots of progress are below:

Project Proposal

Biodiversity – Real time Animation Proposal

Biodiversity is such an important asset to the world around us and removing any one organism from an ecosystem has cascading implications for other organisms that humans do not always understand. Unfortunately humans have played their part in unraveling ecosystems and have wiped out entire species of animals. The first such recorded case of humans wiping out an entire species occurred in 1681 when it was discovered that the Dodo had been completely wiped out within 84 years of its discovery. Since this time the Dodo has become the archetype of extinction.

In this the year of biodiversity I aim to tell the story of the Dodo, humanities first recorded impact on the biodiversity of earth.

Style Guide:

The aim of the animation short is to portray the extinction of the Dodo in an entertaining manner. Humor, and colours will be used to create a joyful viewing experience before the dodo is first discovered by man, and then take on a darker undertone as the story of the Dodo’s last 84years unfolds. To achieve a fun and playful animation the style will be kept comical/toony. Some examples of the type of style that I will be aiming for are:

Team Fortress 2 by Valve

Up by Pixar Animation

The key features of these styles are the use of bright colors, with relatively simple but clever texturing to create an interesting slightly comic-like appearance with which the animators are able to have a lot of fun with. The real-time animation I produce will aim for a similar sort of style.

Storyboard:

Scene 1: The Origins of the Dodo

The Dodo is believed to have developed from an unknown species of migratory birds which during the migration found the island of Mauritius. The opening scene will depict the migratory birds find a lush island with plentiful fruits. A subtitle will accompany this scene: “10 Million Years Ago”

Scene 2: The Dodo & Mauritius & Devolution

The reason the Dodo is believed to be flightless is due to the abundance of fruit on the island of Mauritius that lead it to stay and slowly begin to fly less and less until such point as it could no longer fly. This scene is intended to depict this devolution with a series of short humorous sketches which depict Dodos gorging on fruit and gradually becoming too heavy to fly. This scene will also show the gradual passing of time up until it was first discovered in 1598.

Scene 3: Discovery

Dodos were first discovered in 1598. This scene will show the landing of the first humans on the island and their first encounter with the Dodo. As Dodo’s were fearless of humans this is an opportunity to have some more fun and try to produce a humorous scene.

Scene 3: Extinction

This scene will be a dark and moody scene presenting a cross on the hill inscribed with the the words "The Dodo, 84 Years Discovery to Extinction".

Required Assets:

• · Fully Rigged and Animated Dodo
• · Fully Rigged and Animated Migratory Bird (Dodo which is capable of flight)
• · Island with trees, foliage etc.
• · Fully rigged and animated sailor.

Reference/Inspiration Images/Videos:

Kevin from up is an extremely well animated and emotive bird character which will be used as inspiration for my Dodo.

Example of Bird animation rig with facial animation showing a high level animation detail in a cartoons birds face.